ANDREW LITTEN
’LISTENING’ AT THE CHELSEA FLOWER SHOW

Screenshot 2023-05-18 at 13.45.49.png


EXHIBITION DATES : In person and online from 23 - 27 May 2023

ENQUIRE ABOUT AVAILABLE RELATED WORKS & PRICES : click here

TO PURCHASE TICKETS TO THE RHS CHELSEA FLOWER SHOW : click here

INTRODUCTION :

Andrew Litten’s life size bronze sculpture ‘Listening' forms the focal point of The Samaritans’ Listening Garden, supported by Project Giving Back, at this years RHS Chelsea Flower Show, in celebration of the Samaritans' 70th Birthday.

Litten’s highly emotive piece, sits in a quiet corner of the garden, waiting to hear the thoughts of those who pass through. Andrew’s expressionist style strives to reflect the conflict and vulnerability of human existence. His work draws on the obscure, with his figures often appearing in some form of isolation. However, with Listening, Andrew also wanted the figure to encourage feelings of human connection.

The garden is inspired by stories of people who found the courage to reach out to Samaritans in their darkest times. Seats positioned throughout the garden remind us that taking time to talk can change our perspective on the world.

Read more/less

The pathway into the garden appears cracked with deep fissures leading down into blackness and the sound of gushing water. Stepping through the garden, things become calmer and more open, with a collection of Ulmus minor, and a sunken level with a sculptural bench which allows two people to sit, talk, listen, and be heard.

Designed by Gold Medal winning Darren Hawkes, who has recently qualified as a listening volunteer, the garden is a special opportunity to celebrate the charity’s 70 years of supporting people. A remodelled version of Samaritans’ Listening Garden will be permanently relocated at a Samaritans branch.

Sponsored by
Samaritans
Project Giving Back

 

ARTWORK :

 

ARTIST STATEMENT :

Darren Hawkes and I live have lived in Fowey in Cornwall for many years and I wanted to meet him, but our paths had not crossed until we were introduced to each other last year. Darren visited my studio and seemed to take particular interest in a small sculpture of a seated figure cast in bronze called ‘Whispering'. I had just finished a clay maquette of another seated figure called ‘Listening'. As I was talking about ‘Listening', I noticed Darren started to smile. He told me he was about begin plans to create ‘The Samaritans' Listening Garden' which would be supported by Project Giving Back for this year’s RHS Chelsea Flower Show. It was a wonderful moment of serendipity. Darren was looking for a life size bonze to sit in a quiet nurturing area of this Chelsea Garden.

Read more/less

I made a life size figure with expanding foam, plaster and other materials which allowed easy reshaping over months of change. My initial idea of a passive listening figure was soon lost and I became fixated on the idea that listening is not actually a passive process. To properly listen to someone, they have to feel heard, there has to be engagement, they want to feel understood. This ‘Listening' figure had to feel empathetic and provoke a genuine calm focus, but its surfaces, form and gesture had to feel reactive and responsive, as if in full dialogue. The casting process captured this very well and I'm pleased that the subtlety that I worked so hard on was enhanced and not lost. The finished cast bronze is the best expression of listening that I could create, and to have this placed in such a meaningful context is extremely rewarding.

ADDITIONAL RELATED WORKS :

BIOGRAPHY :


Andrew Litten is a British artist, born in Aylesbury, Buckinghamshire in 1970. He currently works from his studio in Fowey, Cornwall. He is a self-taught artist leaving art college as a teenager having found it to be too restrictive to his aspired method of working. For a decade he created mostly small-scale works using humble domestic or found materials (including envelopes and assembled furniture parts). The work made at this time deliberately challenged ideas of art elitism and art as commodity. He then moved to Cornwall in 2001 and chose to begin exhibiting. Early success came when his work was included in an exhibition titled ‘Nudes’ in New York City, (along with Jacob Epstein and Pierre-Auguste Renoir), where his work was highlighted and reviewed by the New York Times. Shortly after he had four consecutive solo exhibitions each of which included publications at Goldifsh Fine Arts in Penzance, Cornwall. Other notable exhibitions included ‘Move’ at Vyner Street, London, during Frieze Art Week 2007, where his work ‘Dog Breeder’, created as a twisted and emphatic anti-art statement, was exhibited. He was also included in ‘No Soul For Sale’ at Tate Modern Turbine Hall, London in 2010. In 2012 he held a major solo exhibition at Millennium in St Ives, Cornwall and that year was given a guest solo exhibition at L13 Light Industrial Workshop, London. He has also held large-scale solo exhibitions at Spike Island and Motorcade FlashParade in Bristol. Ordinary Bodies, Ordinary Bones was conceived with support from The Arts Council, UK and will be exhibited at Anima Mundi in 2018. Works have been included in numerous international curated mixed exhibitions in Berlin, Dublin, Siena, Milwaukee and New York City and in Venice during the 54th Biennale. Most recently paintings have been exhibited in four major museums in China. Andrew Litten paintings feature in numerous international private and public collections. He is represented by Anima Mundi.